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(BR) Uma ação performativa realizada pelo Coletivo Urubus, com direção de Carol Pinzan e pinturas corporais de Marcelo Denny. A obra tem como objeto de ação e intervenção os corpos dos performers, os corpos dos transeuntes-interatores, os corpos-abrigos em questão e as dinâmicas de fluxo e interação entre todos estes objetos-indivíduos. Seu intento é propor a construção de um rito público de celebração do instante presente e de valorização dos espaços habitados, sendo estes tantos, os espaços externos (de circulação pública), quanto os espaços internos (das mitologias pessoais do próprio existir) e das relações interpessoais.
Esta ação aconteceu em 2 ciclos consecutivos: o primeiro consiste num rito público de pintura corporal onde os performers despem-se de suas máscaras sociais num colorir de suas máscaras rituais. O segundo acontece na quebra deste círculo ritual, quando estes corpos pintados invadem os espaços urbanos imprimindo livres expressões e interações.
(EN) It is a performative action presented by Coletivo Urubus, directed by Carol Pinzan, with body paintings by Marcelo Denny. This work has as action object and intervention the bodies of performers, the bodies of passerby-interactors, the body-shelters and the flow dynamics and interaction among all these object-individuals. His intention is to propose the construction of a public celebration rite of present moment and appreciation of inhabited spaces, considering external spaces (for movement of people) as internal spaces (for personal mythologies of own existence) and interpersonal relationships.
This action happened in two consecutive cycles: the first consists of a public rite of body painting which the performers stripped off their social masks for colouring their ritual masks. The second happens when this ritual circle is broken and these painted bodies invade urban spaces, imprinting free expressions and interactions.
(FR) Ce est une action performative présenté par Coletivo Urubus, dirigé par Carol Pinzan, avec des peintures de corps par Marcelo Denny. Ce travail a pour objet d’action et d’intervention les corps des interprètes, les corps des passants-interacteurs, le corps-abris et la dynamique de flux et l’interaction entre tous ces objets-personnes. Son intention est de proposer la construction d’un rite de célébration publique de moment présent et l’appréciation des espaces habités, considérant espaces extérieurs (pour la circulation des personnes) comme des espaces internes (pour mythologies personnelles de sa propre existence) et les relations interpersonnelles.
Cette action se est passé en deux cycles consécutifs: le premier consiste en un rite public body painting lequel les artistes ont enlevé leurs masques sociaux pour colorer leurs masques rituels. La seconde se passe quand ce cercle rituel est brisé et ces corps peints envahissent les espaces urbains, l’empreinte génomique expressions libres et les interactions.
Esta ação aconteceu em 2 ciclos consecutivos: o primeiro consiste num rito público de pintura corporal onde os performers despem-se de suas máscaras sociais num colorir de suas máscaras rituais. O segundo acontece na quebra deste círculo ritual, quando estes corpos pintados invadem os espaços urbanos imprimindo livres expressões e interações.
(EN) It is a performative action presented by Coletivo Urubus, directed by Carol Pinzan, with body paintings by Marcelo Denny. This work has as action object and intervention the bodies of performers, the bodies of passerby-interactors, the body-shelters and the flow dynamics and interaction among all these object-individuals. His intention is to propose the construction of a public celebration rite of present moment and appreciation of inhabited spaces, considering external spaces (for movement of people) as internal spaces (for personal mythologies of own existence) and interpersonal relationships.
This action happened in two consecutive cycles: the first consists of a public rite of body painting which the performers stripped off their social masks for colouring their ritual masks. The second happens when this ritual circle is broken and these painted bodies invade urban spaces, imprinting free expressions and interactions.
(FR) Ce est une action performative présenté par Coletivo Urubus, dirigé par Carol Pinzan, avec des peintures de corps par Marcelo Denny. Ce travail a pour objet d’action et d’intervention les corps des interprètes, les corps des passants-interacteurs, le corps-abris et la dynamique de flux et l’interaction entre tous ces objets-personnes. Son intention est de proposer la construction d’un rite de célébration publique de moment présent et l’appréciation des espaces habités, considérant espaces extérieurs (pour la circulation des personnes) comme des espaces internes (pour mythologies personnelles de sa propre existence) et les relations interpersonnelles.
Cette action se est passé en deux cycles consécutifs: le premier consiste en un rite public body painting lequel les artistes ont enlevé leurs masques sociaux pour colorer leurs masques rituels. La seconde se passe quand ce cercle rituel est brisé et ces corps peints envahissent les espaces urbains, l’empreinte génomique expressions libres et les interactions.
